Oil on Oil Painting Paper
With this technique I am attempting to minimalise detail, and use the graphic power of intense lighting in black and white. It is very inspired by the expressions on Byzantine mosaic portraits. Also you will notice the enlarged eyes and the closeness to the eyebrows.
Left hand #1
Acrylic on Panel
This is my first try at using a palette knife. I did end up using a little brush work as well. The idea is that it will be easier on my rheumatism, and strain the hand less than using a brush. Also, it should allow me to incorporate a more expressionistic style. My left hand was the obvious subject matter.
I have been wanting to be a bit more expressive in style, and to loosen up a bit. However, when you get RA, it’s not a good idea to have the hands tense for a period of time, which can happen easily when using pencil, pastel, etc, since you need to press harder to get that thinker and darker line.
I have been doing these studies with a light grey, mid-grey and black. So I just dilute the ink for the grey tones, and store it in little screw top containers. The top image was done with a number 3 brush, while the self portrait was done with a Chinese sable brush.The nice thing about the Chinese brush is the variety of kinds of stroke that it allows.
I guess you could think of these as drawings done in a painterly way, where there is an initial layer, or ground, just made up of free brush strokes, and from there I build up tones with density of strokes. Contour lines and little details are left to the final phase. The tricky thing to keep in mind is you don’t have any white to do highlights, so you have to be careful to dodge the lightest areas.