Audio Poem: Connotations Unravelled

I have uploaded some old recordings of mine to YouTube.
This one is for all the young aspiring artists who are getting a hard time from their parents, not explicitly, but just in the little connotations in the things they say from time to time. The idea of this poem was to unravel and amplify these connotations as much as possible:

I will post some more of the tracks soon.

Recent Experiments in Style and Technique

Female Portrait in B and W 001 for web

Pensive Face

Oil on Oil Painting Paper

210/275mm

With this technique I am attempting to minimalise detail, and use the graphic power of  intense lighting in black and white. It is very inspired by the expressions on Byzantine mosaic portraits. Also you will notice the enlarged eyes and the closeness to the eyebrows.

Left hand 1 001 for web

Left hand #1

Acrylic on Panel

160/225mm

This is my first try at using a palette knife. I did end up using a little brush work as well. The idea is that it will be easier on my rheumatism, and strain the hand less than using a brush. Also, it should allow me to incorporate a more expressionistic style. My left hand was the obvious subject matter.

 

Revisiting Neo-Expressionism, and Looking Closer to Home

As I mentioned previously, I had realised that the formalist approach was limiting, in that it’s not an approach designed for expressionism. I wanted to work in a way which was more intuitive, and could express my feelings in a simple way which could appeal to a wide range of people. Of course, I was still wanting to use non-toxic mediums, but I hadn’t really experimented with watercolour and acrylic.

So I purchased some hardboard and gum tape with the intention of building up grounds with blending and blotching techniques. The resulting textures I could then gaze at for a while and anthropomorphise whatever figures and forms I see. I was getting into various conspiracy theories at the time, and these kind of became source material for the works, which were devoid of colour, for the dual purpose of making the process simpler, and expressing feelings of despair which were associated with working a lowly part time job and needing some welfare to supplement my income.

The meek shall inherit the debt     Austerity Measures

 

I continued exploring the same themes while beginning to bring in colour, especially by way of water soluble crayons and acrylic.

Treadmill    triangle circle square

 

I was enjoying these much more, but still felt like they were a means to an end. They are imitations, especially of Jean Michel Basquiat, from whom I was definitely learning helpful things, but whose style i also wanted to divorce myself from a bit.

I decided to look a little closer to home for inspiration for how to move forward. I took the time to watch a few documentaries on New Zealand artist Ralph Hotere, whose ingenuity gave me some good ideas. He uses words in his work, and he manages to merge minimalist style with expressionism. I’ve also been lucky to have been exposed to the paper assemblages of James Robinson, who really exploits paper in ways which allow for the element of surprise akin to that of how I imagine the alchemists of old went about their work.

He’s also a fellow chigong student, and introduced me to Yuan Gong, a simpler style of chigong invented by Yuan Tze, which I have since begun to learn and practise.

These two artists, along with Shane Cotton, have managed to continue along the same line as Colin McCahon, in the way that they explore the sacred and the sublime aspects of New Zealand life without resorting to obvious and over-used “Kiwiana”, as so many here are like to do.

During this period I picked up another part time job, so another challenge these days is managing my time so that I can continue to be productive with both poetry and painting.

This almost brings us up to present day, where I find myself trying to find the best way for me to do all of the things I want to in painting, and to make it cost effective.