Oil on Canvas Paper
With this work I was drawing from a few different influences, specifically Evelyn William’s brand of expressionism, as well as Picasso’s blue period, and early Russian Christian art. This kind of Noir lighting is a big step away from my usual style, where I mostly try to employ even light. There is also an intentional distortion of certain facial features, most notably the enlargement of the eyes and shrinking of the mouth. The use of straight lines, as opposed to curves, for the eyebrows and bridge of the nose was also intended to help intensify the feeling of the piece.